![]() ![]() With every day we live, we pick up new baggage, baggage we must carry with us for the rest of our lives. ![]() He tells Roman "There is no such thing as a new beginning, Roman. This creates an atmosphere where Niko is haunted and shadowed by his past actions wherever he goes. ![]() It is also the first game that allows the player to change the plot by making choices, which all have consequences. Grand Theft Auto IV has an extremely complex plot with a very long list of characters. A very interesting part of the in-game media is a show called I'm Rich, which documents the most outrageous displays of gluttony by the world's wealthiest people, enough to make anyone feel inadequate. Story of my life." to which Niko replies "It is the story of a lot of lives, Packie. Packie eventually says after a mission "Well, Niko, that was a whole lot of effort for no fucking reward. Oh yeah, wine and women as quick as possible, and remain a slave forever". Gerry describes his family's spending habits as "Never any fucking focus! Never!. Early on, The Beat 102.7 explains that their listeners "don't know how to manage their money yet!". Social circles all the way from Playboy X and Elizabeta Torres to Patrick McReary all have trouble making and responsibly saving money, not restricting it to any one nationality. The American dream is also shown not to be promised to anyone, not even when they already live in America. On the flip-side Roman Bellic, as well as other characters ( Brucie Kibbutz, Bernie Crane, Ivan Bytchkov and Hossan Ramzy among others) are optimistic about America and life in general, tend to do very well for themselves financially, and try in vain to encourage Niko to be more optimistic. Niko mocks American stereotypes like "strip malls and clinical obesity" (as do the makers of the game by hilariously parodying concepts like post-9/11 hysteria and celebrity obsession). This American greed takes everyone! It is like a disease!". Mikhail Faustin also laments before he dies that "America made him greedy!. Niko is cynical about America, saying "capitalism is a dirty business" and only people who are extremely greedy and/or born into wealth have any opportunity. The game and its very complex plot deals with several themes:Īs read on the packaging of the game, Rockstar Games asks "what does the American dream mean today?". Niko is normally shown to be in the right, but is also proven to be overly cynical, leaving interpretation open to the viewer. Grand Theft Auto IV's deeper meaning circulates around Niko's own philosophy, and his clear, blunt critiques of American culture and life in general make the deeper ideas much easier to see and understand. The very first dialogue by Niko in the very first trailer for the game, this sets up the first notable protagonist to be from another country, Niko Bellic, to enter the United States of America and make more critical analysis of American culture than previous main characters have done. The PC version was released on December 3, 2008. The original version made even more success than its expansions. GTA IV was subsequently been awarded the Gaming World Record of the Most Successful Entertainment Launch of All Time and has received numerous other awards and accolades. The Xbox 360 and PS3 versions were been released worldwide to widespread hype on April 29, 2008. The game was developed by Rockstar North and was published and released by Rockstar Games for the Xbox 360, PlayStation 3, and PC. Grand Theft Auto IV (officially abbreviated as GTA IV) is the eleventh Grand Theft Auto game in the series, the first of the GTA IV Era. ![]()
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![]() ![]() A description of this library can be found here: This protects things like sound or image files in cache or data directories (folders) used by the particular applications from displaying up in your music player or photo gallery.You might consider using the APK Expansion Zip Library (requires API level 5 or above) to read files that you will have installed to the SD card as part of a Zip archive. On an Android phone, a “.nomedia” file explains the OS to exclude that directory/folder and any directories/folders under it whenever an application scans for media files, such as.MP3′s or.JPG’s, for example. If that’s the case, renaming it back to a PNG, JPG, MP4, etc., will allow you to use the file normally again. The only exclusion is if you’ve renamed a picture or video to be. Most of them are completely blank, so seeing one of them in a text editor won’t show anything Unlike most of the other files, there’s no reason to try to open a NOMEDIA file. This technique also works to delete or rename a NOMEDIA file to undo the hidden effect. With the second, click-and-hold a folder to create a new NOMEDIA file the folder will turn into red to indicate that there’s a NOMEDIA file in it. You can generate and delete NOMEDIA files directly from your phone or tablet using an app like g(x) labs’ Nomedia, or Droida’s app with a similar name. You can also create a new NOMEDIA file that you want to hide from the folder’s contents, or delete the NOMEDIA file to unhide music, videos, ringtones, etc.
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![]() I come from a background in film theory, I worked for ten years in screenwriting and film translation, and I’ve also done a lot of research into Studio Ghibli, some of which I’ve shared over the past six weeks. I’m Adam Dobay and I’m your host for this series. On a more serious note, today I’d like to talk a bit about how Miyazaki matures as a director and how that reflects in him making a film about adulthood. Today’s film is Howl’s Moving Castle, or better known as Part 2 of Miyazaki’s egg trilogy.
![]() ![]() ![]() The result is an inspiring and timely reminder that humility and confidence are our greatest friends when confronting the challenges of a culture that tends to fan the flames of ego, a book full of themes and life lessons that will resonate, uplift and inspire.ĭid you know that a compulsive entity might be running your life and your decisions? Discover how to take your life back. Drawing on an array of inspiring characters and narratives from literature, philosophy and history, the book explores the nature and dangers of ego to illustrate how you can be humble in your aspirations, gracious in your success and resilient in your failures. In Ego is the Enemy, Ryan Holiday shows us how and why ego is such a powerful internal opponent to be guarded against at all stages of our careers and lives, and that we can only create our best work when we identify, acknowledge and disarm its dangers. Its name? Ego, and it is the enemy - of ambition, of success and of resilience. Every great philosopher has warned against it, in our most lasting stories and countless works of art, in all culture and all ages. It's made adversity unbearable and turned struggle into shame. It's evaporated great fortunes and run companies into the ground. It's wrecked the careers of promising young geniuses. Armed with the lessons in this book, as Holiday writes, “you will be less invested in the story you tell about your own specialness, and as a result, you will be liberated to accomplish the world-changing work you’ve set out to achieve.” In an era that glorifies social media, reality TV, and other forms of shameless self-promotion, the battle against ego must be fought on many fronts. Their strategies and tactics can be ours as well. We meet fascinating figures such as George Marshall, Jackie Robinson, Katharine Graham, Bill Belichick, and Eleanor Roosevelt, who all reached the highest levels of power and success by conquering their own egos. Ego Is the Enemy draws on a vast array of stories and examples, from literature to philosophy to history. In failure, it magnifies each blow and makes recovery more difficult. With success, it can blind us to our faults and sow future problems. Early in our careers, it impedes learning and the cultivation of talent. In fact, the most common enemy lies within: our ego. The instant Wall Street Journal, USA Today, and international bestseller “While the history books are filled with tales of obsessive visionary geniuses who remade the world in their image with sheer, almost irrational force, I’ve found that history is also made by individuals who fought their egos at every turn, who eschewed the spotlight, and who put their higher goals above their desire for recognition.” -from the prologue Many of us insist the main impediment to a full, successful life is the outside world. ![]() ![]() ![]() The physics system really comes alive when you flip a sword or a dagger over and grip it backwards before landing a killing thrust on a downed opponent.Įvery weapon handles a bit differently and feels appropriately wieldy based on the weight and shape of its real-world equivalent. Many of the objects in Blade & Sorcery also allow you to grip their handle(s) at different points with one or both hands, even letting you slide your grip up or down without dropping the object. Using broad movements to telegraph the real weight of a sword, for example, causes you to build more momentum and do more damage. And because of this, you’re forced to treat weapons and objects in Blade & Sorcery like they actually weigh something which means you can’t simply tickle enemies and deal damage to them as you could in earlier VR titles like Skyrim VR. The game’s realistic physics simulation generates resistance that causes your weapon (and your player character) to act independently of your own movement. ![]() But make no mistake, Blade & Sorcery is a wave shooter with (extremely competent) swords instead of guns. The hardest encounters are the most physically demanding, and beating them is a challenge unto itself. Each encounter is varied by difficulty, but there is no scoring system or metagame that tracks anything outside of immediate gameplay. There are no missions or scripted scenarios to pursue, but instead, you’re given a list of combat encounters that you can select from a pedestal tome. When you load into a map, you’ll spawn with any weapons and health potions you’ve holstered while preparing in your house, but there is no short supply of weapons, potions, and shields scattered around. Right now, Blade & Sorcery sequesters you to a selection of four different combat arenas: the Arena, the Market, the Canyon, and the Ruins. Image Credit: WarpFrog DO BATTLE, ATTAIN VICTORY ![]() “ The drawing near the bed in the starting house is a screenshot of the map of the first alpha test of the game back in 2017,” KospY informed VRScout. There’s even a secret hidden in the house for you to find. I’d say that that experience certainly prepared me for the trials to come. I filled a chair with daggers, then used telekinesis to smack my blade-riddled chair into a dummy that the daggers then pinned the chair to. Speaking of pincushions, the house is full of wooden objects that you can mess around with, pick up, throw around, and/or drive bladed weapons into (at your leisure). Not only does it provide the menu from which you choose combat arenas, it also features a training area on the second floor that includes every weapon in the game plus some physics-based pincushion dummies. Your house is the central hub for everything you do in Blade & Sorcery. Pumping your arms and actually running in place are both ways to combat motion sickness in some cases, so this feels like a way to offset the lack of teleportation while promoting natural movement that feels immersive. Locomotion in Blade & Sorcery is based on thumbstick or trackpad movement (there is no teleportation here whatsoever), and you can only run by pumping your arms as if you were running in place. If you don’t like how it feels to swing a claymore or a battle axe, you can mess with that setting until it’s to your liking. For instance, you can change the gender composition of enemies that spawn, or you can completely tweak how two-handed interactions are calculated. The level of customization in the settings menu is comprehensive otherwise. But I can still see Blade & Sorcery having issues with lower-end VR-ready systems that have no trouble running other games. For many PC VR owners, that isn’t much of a problem. Keep in mind that while you can tweak almost everything about the game including enemy spawn settings, comfort settings, graphics settings and even some experimental things like physics-based climbing and slow-mo speed, your system needs to be able to handle a decent number of reasonably intense physics calculations at once. The comfort and graphics options in Blade & Sorcery are quite accommodating you can access the menu tome by hitting the Y button on Oculus Rift, or the left menu button on HTC Vive/Pro. You can capture your virtual vanity via a third-person desktop camera, but, in its current state, it doesn’t do justice to Blade & Sorcery’s hectic (read: ultra-violent) arena battles. While the options are decently robust for a VR game, you don’t ever see your PC (player character) more than three times: that is, when you boot the game up, when you’re flexing in front of the mirror, and when you die. ![]() There are no races or classes, but you get a thorough opportunity to modify everything from hair and beard styles to the proportions of your avatar’s face and body. Your very first task in Blade & Sorcery is to calibrate your height and create your character. 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